Sextet (2023), for fl, cl/bcl, mar, vl, vc, pf, 7′
Temps (2022), for cl/bcl, vl, vc, pf, 22’
For John Friedrichs
Troublesome Stranger (2021), for cl/bcl, tbn, vl, vc, pf, 12’
For Timothy Anderson
The Postcards Project 2021, 54 half page movements for a maximum ensemble of flute/alto flute, clarinet/bass clarinet, trumpet, trombone, piano, string quintet (2021). Incorporates 7 Duos and some of the movements from Far From the Fading Light
Postcards from Home, a collection of 18 postcards from The Postcards Project 2020, assembled into 3 movements (2021), 10’
2022 College Music Society National Convention, Long Beach, CA.
Shadows of Innocence (version for trombone and string quartet) (2021), 19’
2023 Heather Buchman, Society for New Music All-Stars, Syracuse, NY.
Shadows of Innocence for tenor saxophone and string quartet (2020), 19’
Commissioned by Diane Hunger
Chaos (2020), version for octet, fl, cl, tpt, pf, and str. qrt, 21’
Summer 2020, for fl, cl, tpt, pf, and str qrt, 13’
The Postcards Project 2020, 51 half page movements for a maximum ensemble of flute/alto flute, clarinet/bass clarinet/tenor saxophone, trumpet, piano, string quartet (2020) Incorporates sets of miniatures featuring trumpet, clarinet, Summer 2020, Postcards from Home, and String Quartet No. 5
Inner Sanctum, reduced version for clarinet, violin, violoncello, and piano (2016), 14’
For Vision of Sound, choreographed by Edward Murphy
2017 Society for New Music, Syracuse, Oswego, and Clifton, NY
From Her Husband’s Hand for alto saxophone and chamber ensemble (2018), 18’
2222/2200/2perc/str [see also version for alto saxophone and piano]
2018 Diane Hunger, saxophone, College-Conservatory of Music, University of Cincinnati,
Cincinnati, OH
Labyrinth, for flute, clarinet, trumpet, piano, and string quartet, (2016), 21’
commissioned by The Society for New Music
2017 Society for New Music, Syracuse
2018 College-Conservatory of Music, University of Cincinnati
Dystopian Sunrise (with Clouds) for violoncello ensemble, (2016), 7’
commissioned by Jakob Kullberg
2017 Norwegian Academy of Music, Stavanger
The Master’s Hammer, for fl, cl, hn, tpt, tbn, strings (2016), 5’
2016 SU Contemporary Music Ensemble, Syracuse
Remembering the Night Sky, alto saxophone, clarinet, violin, violoncello, and piano (2016), 12’
2015 Diane Hunger-Zumwalt, alto saxophone, Society for New Music, Syracuse
2018 Diane Hunger, saxophone, College-Conservatory of Music, University of Cincinnati
Time Knot for clarinet, violin, violoncello, and piano (2015), 2’
2015 Society for New Music, Syracuse, NY
Chaos Theory for solo piano, flute, clarinet, trumpet, trombone, and string quintet (2015), 10’
Paradiso, versionfor clarinet, steel pan, percussion, piano, and string quartet (2013)
2014 Society for New Music, Syracuse
Night Visions for variable ensemble (2001–2013, final movement in progress)
Incorporates No Free Lunch and Remembering the Night Sky
2013 SU Contemporary Music Ensemble, Syracuse (No Free Lunch and improvised movements only)
No Free Lunch for flute, viola, violoncello, and piano (2005) 5’30”
commissioned by Simon Speare’s Big Noise
2013 SU Contemporary Music Ensemble, Syracuse (alternate instrumentation)
2006 Big Noise, Colchester Institute, Colchester, UK
Saxophone Quartet (1999), 8’
Inner Sanctum for flute, oboe, clarinet, saxophone, violoncello, and piano (1992), 14’
commissioned by Kyle Horch
1999 Faculty ensemble, Baldwin-Wallace College
1997 Kyle Horch and friends, Church of St Giles-without-Cripplegate, London
Momente, for violin, violoncello, and piano (1994), 8’
[arr. of A Point of Amber Light, Interlude and movt 2]
Honorable mention, Morley College Composition Competition
Purgatorio for flute, clarinet, violin, cello, and piano (1988), 6’
1990 “New Music from America”, Lauderdale House, London
1989 Aspen Music Festival
1989 Chicago Composers Consortium, 3 Arts Club, Chicago
Satellite Sequences for flute and clarinet (1987), 4’ (variable)
commissioned by the Near North Montessori School
1997 Platform, Church of St Martin-in-the-Fields, London
1987 Near North Montessori School, Chicago
Fanfare and Interludes for brass trio (1987), 4’
1987 Northwestern University Alumni Trio
The Grey Masque for percussion ensemble (1986), 8’
commissioned by Glenn Freeman
1987 Aspen Music Festival
1987 Glenn Freeman Percussion Ensemble, Northwestern University
1987 Glenn Freeman Percussion Ensemble, New Music Chicago Spring Festival
Breaking the Winter Silence… for soprano, piano quartet, and percussion (1986), 12’
commissioned by Susan Charles
1988 Susan Charles, sopr, New Art Ensemble, University of Chicago
In a dream… for flute, brass quartet, string quartet, and percussion (1984), 10’
1984 Northwestern University Contemporary Music Ensemble
[see also version for flute and wind ensemble]
As Darkness Becomes Light… for baritone, horn, cello, piano, and percussion (1983), 15’
1983 Northwestern University Contemporary Music Ensemble
1983 movt 1, Baldwin-Wallace College Composers Workshop
Three Sketches for Three Brass for trumpet, trombone and euphonium (1982), 8’
2013 Belfer Audio Archive, Syracuse (III)
1983 Northwestern University Contemporary Music Ensemble
1982 Baldwin-Wallace College Brass Ensemble